As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. She was meant to make film versions of Rob Roy and The Blue Lagoon[19] but both projects were cancelled with the advent of war. 1948 3rd most popular star and 2nd most popular British star in Britain, 1949 5th most popular British star in Britain, This page was last edited on 25 February 2023, at 07:39. Farid Haddad, managing director of BMA Models, told BBC, "Men and women are both expected to be 'flawless' in the fashion world. Her body was cremated at Putney Vale Crematorium. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." Each time I play him, I discover hidden things I never thought of before, she enthused. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. 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She was the female love interest in Midshipman Easy (1935), directed by Carol Reed, who would become crucial to Lockwood's career. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. For this, British Lion put her under contract for 500 a year for the first year, going up to 750 a year for the second year.[3]. However, there is perhaps no stranger way than to declare your party affiliation via mole. Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. He hopes one day "moles and other individual qualities" will be embraced. Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. However, her best-remembered performances came in two classic Gainsborough period dramas. She was born on September 15, 1916. Ive been pretty lonely at times.. Julia Lockwood during filming for the BBC science fiction series Out of the Unknown in 1968. ]died July 15, 1990, London, Eng. Stone appeared with her in her award winning 1970s television series, "Justice", in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. 2023 British Film Institute. "It was the cutest stinking mole, and I was sold," she admitted. Corrections? When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagans production of Hannele by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, Lorna Doone when Dorothy Hyson fell ill. The Leons separated soon after her birth and were divorced in 1950. Lockwood attended drama school from the age of five and following her parents divorce was just 12 when cast as the star of Heidi for a 1953 childrens TV serial. These films have not worn particularly well, but. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. England British actress Margaret Lockwood is pictured reading the newspapers as she enjoys breakfast in bed. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). She called it "my first really big picture with a beautifully written script and a wonderful part for me. [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. She refused to return to Hollywood to make "Forever Amber", and unwisely turned down the film of Terence Rattigan's "The Browning Version". Omissions? It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Overview Collection Information. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. Margaret Lockwood. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britains biggest box-office stars with her appearance in the 1945 film classic The Wicked Lady, four years after her daughters birth. Shortly afterwards, in her early 30s, she gave up acting to concentrate on bringing up her four children. [47], Her next two films for Wilcox were commercial disappointments: Laughing Anne (1953) and Trouble in the Glen (1954). Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. Access the best of Getty Images with our simple subscription plan. Likewise, if she were to wear one on the right side, she would be showing her support for the Whigs. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). She refused to return to Hollywood to make Forever Amber, and unwisely turned down the film of Terence Rattigans The Browning Version. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. Required fields are marked *. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. I'll Be Your Sweetheart (1945) was a musical with Guest and Vic Oliver. She was 73 years old. They were going to look after me as no one else had done before. A first-time star, she gave an intelligent, convincing performance as the curious girl who confronts an elderly lady (May Whitty) who seems to vanish into thin air on a train journey. Beautician, Beauty Salon, Barber, Hair Stylist. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. It was one of the cycle of Gainsborough Melodramas . Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. Collect, curate and comment on your files. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. In the postwar years, Lockwoods popularity fell out of favor. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. Karachi-born Margaret Lockwood, daughter of a British colonial railway It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. Enter your account data and we will send you a link to reset your password. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagan's production of "Hannele" by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, "Lorna Doone" when Dorothy Hyson fell ill. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. More popular was Jassy (1947), the seventh biggest hit at the British box office in 1947. The Getty Images design is a trademark of Getty Images. When she was eight Julia fell in love with Peter Pan on seeing her mother play the role in what had already established itself as an annual postwar institution at the Scala theatre in London. This film also included the final appearance of Edith Evans and one of the later appearances of Kenneth More. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. She was known for her stunning looks, artistry and versatility. As such, the shape, color, and even texture can vary. The promise of a screen test with Columbia Pictures came to nothing apart from the nose operation and filed teeth that she had in preparation for it. She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. When peace came, her mother was keen for her daughter to follow in her footsteps. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. The film was the most popular movie at the British box office in 1946. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). It's all Marilyn Monroe's fault," singer Kelly Rowland told People. After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. Based on the novel by Sir Osbert Sitwell, brother of renowned author Dame Edith Louisa Sitwell, A Place of One's Own (1945) is an atmospheric ghost story set in the Edwardian era that marked the directorial debut of Bernard Knowles and reunited the stars of The Man in Grey (1943) James Mason and Margaret Lockwood. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. One of those famous faces was Marilyn Monroe. The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . Still, our work isn't quite done yet. In 1944, in "A Place of One's Own", she added one further attribute to her armoury: a beauty spot painted high on her left cheek. Seventy years ago, the British film industrys comparatively modest version of the Hollywood studio system meant that the national cinema had not, like MGM alone, more stars than there are in heaven, but enough to make up a small glittering constellation. She made no more films with Wilcox who called her "a director's joy who can shade a performance or a character with computer accuracy" but admitted their collaboration "did not come off. Rank wanted to star her in a film about Mary Magdalene but Lockwood was unhappy with the script. The amount of cleavage exposed by Lockwood's Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. Kate Upton and Blake Lively have certainly helped the spot stay en vogue today. Margaret scored another hit with Bedelia (1946), as a demented serial poisoner, and then played a Gypsy girl accused of murder in the Technicolor romp Jassy (1947).As her popularity waned in the 1950s she returned to occasional performances on the West End stage and appeared on television, making her greatest impact as a dedicated barrister in the ITV series Justice (1971), which ran from 1971 to 1974. The perception of beauty marks has come a long way since the 1800s, though, that's not to say it happened overnight. No weekends or evenings required. she made her stage debut at 15 as a fairy in " A Midsummer Night's Dream" at the Holborn Empire. Speaking candidly with the magazine, Crawford did admit that she's still not sure if she'd have added a beauty mark if "designing [her] face from scratch." "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. When the author Hilton Tims was preparing his biography, Once a Wicked Lady, a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, Give her these from me. I used to love her films. That was natural. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother. Lockwood entered films in 1934, and in 1935 she appeared in the film version of Lorna Doone. Registered charity 287780, Watch Margaret Lockwood films on BFI Player, In praise of 1940s icon and Lady Vanishes star Margaret Lockwood. I think they're the cutest thing. A year later, she played another fairy, for 30 shillings a week, in "Babes in the Wood" at the Scala Theatre. She appeared on TV in Ann Veronica and another TV adaptation of the Shaw play Captain Brassbound's Conversion (1953). Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. In 1975, film director Bryan Forbes persuaded her out of an apparent retirement from feature films to play the role of the Stepmother in her last feature film The Slipper and the Rose. As an only child herself, she had once said: I love children. Millions of high-quality images, video, and music options are waiting for you. Duration is 1 hr., 53 min. "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". She had a small role in Who's Your Lady Friend? We provide you with all the necessary resources to help you achieve your income goals! Mason and Mullen are artificially aged to play the old couple. The film had one of the top audiences for a film of its period, 18.4 million. Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. Lockwoods lips and upper chin tense Joan Crawford-style when her more heinous characters covers are blown, but not at the cost of audience empathy. I used to love her films.. When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. Organize, control, distribute and measure all of your digital content. But, just what is a beauty mark anyway? She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. You can play him as a fey creature or right down to earth. Rex Harrison was the male star. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. British Parliament wasn't a fan of this tomfoolery, though. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. This film was a success, launching Lockwoods career, and Gaumont extended her contract from three to six years. Our editors will review what youve submitted and determine whether to revise the article. "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." Lee dropped out and was replaced by Lockwood. Full Time, Part Time position. before completing her training at the Royal Academy of Dramatic Art. [30] "I was sick of getting mediocre parts and poor scripts," she later wrote. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. Cindy Crawford and other big names with facial moles. For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. And even if that new mole is fine today, that doesn't mean it will be tomorrow. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. And why do people love them or hate them? In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. Tap into Getty Images' global scale, data-driven insights, and network of more than 340,000 creators to create content exclusively for your brand. Lockwood's role as the feisty Harriet Peterson won her Best Actress Awards from the TV Times (1971) and The Sun (1973). Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. For the remaining years of her life, she was a complete recluse at her home in Kingston upon Thames, rejecting all invitations and offers of work. Actors: Margaret Lockwood, James Mason, Patricia Roc. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She likes what she likes, okay? In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. Boards are the best place to save images and video clips. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. And I loved it. Her short film career, finishing with the 1960 comedy No Kidding, was over by the time she was 20. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. While every effort has been made to follow citation style rules, there may be some discrepancies. With Margaret Lockwood, James Mason, Patricia Roc, Griffith Jones. Miss Lockwood's family would not disclose the . Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. Here you'll find all collections you've created before. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. Production Company: Gainsborough Pictures. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. was margaret lockwood's beauty spot real; was margaret lockwood's beauty spot real. [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. Beauty marks may very wellalwaysbe beautiful, but the truth behind them is often less glamorous. She starred in the Royalty (19571958) television series and was a regular on TV anthology shows. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . Lady barrister Harriet Peterson tackles cases in London. They did. Hear, hear! This is partially dictated by Hollywood's elite. She was born on September 15, 1916. The music was written by Hubert Bath. That's not to say all faux beauty marks went out of style. sachets at a time and calling it "my tipple". Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. It was an uphill battle even for those who survived. ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. By Brittany Brolley / Updated: Feb. 2, 2021 6:14 pm EST. A rather controversial biographer once . Yet much more than Leigh, especially after Scarlett OHara, Lockwood was the kind of girl youd want to walk home from the pictures in the blackout, or, if you yourself were a girl, walk home with arm-in-arm, dodging puddles and drunkenconscripts. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. A free trial, then 4.99/month or 49/year. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. Margaret Lockwood. Please like & follow for more interesting content. She was made Commander of the Order of the British Empire in 1980. In spite of this, she was warmly remembered by the public. [28] It was the last of "official" Gainsborough melodramas the studio had come under the control of J. Arthur Rank who disliked the genre. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was queen among villainesses.